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Your three-month forecast of the summer's top movies.

Summer is the season of high expectations and profound disappointments. That suntan looks more like sunburn, your beer stays ice cold till the moment it’s opened, and fat guys are the only ones hanging by the pool in bikini briefs. So it goes with summer movies: Sequels to beloved faves have all the flavor of week-old popcorn, blockbusters make pennies on their many dollars, and somewhere there’s Adam Sandler pouring sour lemonade when you were craving something more refreshing. Maybe there’s more hope this year, if only because last summer was such a bummer. Monster-in-Law, Stealth, or Dukes of Hazzard, anyone? Thought not.

There is certainly more promise to the 2006 lineup. Film freaks and fanboys find it hard not to get a little worked up over the returns of Superman, Crockett and Tubbs, Jack Sparrow, and Dante and Randal (well …). A Prairie Home Companion, with its all-star cast and NPR roots, promises to be this year’s Cinderella Man: a great movie nobody sees, because the crowds will be too busy huffing Freon with Will Ferrell, Steve Carell, and Vince Vaughn again. Much of what you’ll find below feels like yesterday’s movies reheated — like someone went to Blockbuster and cut-and-pasted everything on the comedy shelf. But they’ll all need a prayer to hold their own against The Da Vinci Code. Here’s $20 right now that says only the pope won’t see it. Though even he may get around to it, once he’s checked out Snakes on a Plane. Robert Wilonsky

June 23

Click (Sony)

Starring: Adam Sandler, Christopher Walken, and David Hasselhoff

Directed by: Frank Coraci (The Waterboy)

Written by: Jack Giarraputo, Tim Herlihy (almost every Sandler movie to date), Steve Koren & Mark O’Keefe (Bruce Almighty), and Sandler

What it’s about: Sandler obtains a magic universal remote control that can control the universe! Pausing, rewinding, and slow-motion-replaying the world around him is a lot of fun … until the remote gets stuck in fast-forward.

Why you should see it: Whatever you may think of Sandler, a movie that brings Walken and Hasselhoff together cannot be all bad.

Why you should not: Seems like a good premise, but so did The Benchwarmers at one point.

Garfield: A Tale of Two Kitties (Fox)

Starring: Bill Murray, Breckin Meyer, and Jennifer Love Hewitt

Directed by: Tim Hill (Muppets from Space)

Written by: Joel Cohen (Cheaper by the Dozen)

What it’s about: America’s favorite fat cat twenty years ago takes a trip to Jolly Old London and switches places with a rich fat feline in this essential sequel to 2004’s Garfield. For more information, read Mark Twain’s The Prince and the Pauper.

Why you should see it: Old pro Bill Murray can get laughs reading obituaries.

Why you should not: He’s Bill Murray, not He Who Is Risen.

Waist Deep(Focus)

Starring: Tyrese Gibson (Four Brothers), Meagan Good (Roll Bounce), and Larenz Tate (Crash)

Directed by: Vondie Curtis-Hall (Gridlock’d)

Written by: Hall, Michael Mahern (Mobsters), and Darin Scott (Tales From the Hood)

What it’s about: An ex-convict (Gibson) is driven to desperation when his son is kidnapped and held for ransom by a vicious crime lord. He begins to rob banks to raise the ransom — but only banks where the thug has an account.

Why you should see it: It’s rated R, and based on the preview it looks like the two beautiful leads get sweaty.

Why you should not: Hall directed Glitter. Yep, that Glitter.

June 30

The Devil Wears Prada (Fox)

Starring: Meryl Streep, Anne Hathaway, and Adrien Grenier

Directed by: David Frankel (Entourage, Sex and the City)

Written by: Aline Brosh McKenna (Laws of Attraction) and Don Roos (The Opposite of Sex), based on the novel by Lauren Weisberger

What it’s about: Big-screen adaptation of Weisberger’s thinly disguised “fiction” book about working as assistant to Vogue editor-in-chief Anna Wintour (Streep).

Why you should see it: Streep rarely chooses unredeemable projects.

Why you should not: Do we care how hard it is to work for a fashion magazine?

Superman Returns (Warner Bros.)

Starring: Brandon Routh, Kate Bosworth, and Kevin Spacey

Directed by: Bryan Singer (X-Men, X-2)

Written by: Michael Dougherty and Dan Harris

What it’s about: Set five years after Superman II, more or less, Superman returns from self-imposed exile to find Lois Lane with a kid and Lex Luthor out of prison, with yet another plan for world domination.

Why you should see it: Singer made the X-Men movies into something accessible to mainstream audiences without sacrificing its comic-book roots; he made superheroes human.

Why you should not: Look, it can’t be any worse than Superman IV: The Quest for Peace.

July 5

Little Man (Sony)

Starring: Marlon and Shawn Wayans

Directed by: Keenen Ivory Wayans (Scary Movie, Scary Movie 2)

Written by: The Wayans brothers

What it’s about: A digitally remastered Shawn Wayans plays a weensy little criminal mistaken for a baby by a wannabe dad (Marlon).

Why you should see it: Consider it your biennial dose of Wayans charm.

Why you should not: Perhaps you recall White Chicks?

July 7

Strangers with Candy (THINKfilm)

Starring: Amy Sedaris, Matthew Broderick, and Philip Seymour Hoffman

Directed by: Paul Dinello

Written by: Stephen Colbert (The Daily Show), Paul Dinello, and Amy Sedaris

What it’s about: A feature-film spinoff of the popular 1999-2000 Comedy Central series starring Sedaris as a 46-year-old ex-con high-school student.

Why you should see it: If you don’t think Stephen Colbert knows funny, you don’t know funny.

Why you should not: It could feel like one long inside joke made for those who’ve seen the show.

Pirates of the Caribbean: Dead Man’s Chest (Buena Vista)

Starring: Johnny Depp, Orlando Bloom, and Keira Knightley

Directed by: Gore Verbinski (Pirates of the Caribbean: The Curse of the Black Pearl)

Written by: Ted Elliott & Terry Rossio (Shrek), based on the Disneyland ride

What it’s about: Bill Nighy joins the fun as supernatural part-man/part-octopus villain Davey Jones, out to collect the soul of Captain Jack Sparrow (Depp) just in time to ruin the marriage plans of Will (Bloom) and Elizabeth (Knightley).

Why you should see it: Depp’s Jack Sparrow is one of the most entertaining characters in cinematic history.

Why you should not: Bloom is still a stiff. And Chow Yun-Fat is in part three, not this one.

Once in a Lifetime (Miramax)

Featuring: Pelé and Matt Dillon

Directed by: Paul Crowder (Riding Giants, Dogtown and Z-Boys) and John Dower

Written by: John Dower and Mark Monroe

What it’s about: Matt Dillon narrates a documentary about the New York Cosmos, the soccer team that brought Brazilian superstar Pelé to America.

Why you should see it: The agony and the ecstasy.

Why you should not: There’s soccer in it.

July 14

A Scanner Darkly (Warner Independent)

Starring: Keanu Reeves, Winona Ryder, and Woody Harrelson

Written and directed by: Richard Linklater, based on the novel by Philip K. Dick

What it’s about: In the near future, a government drug-enforcement agent (Reeves) winds up being ordered to spy on himself. Like Linklater’s Waking Life, the entire movie is done in rotoscoped animation, so it’s hard to tell whether it really counts that Winona Ryder does her first-ever nude scene.

Why you should see it: Previous Philip K. Dick-based movies: Blade Runner, Minority Report, Total Recall …

Why you should not: … also Paycheck, Screamers, and Impostor.

Leonard Cohen: I’m Your Man (Lions Gate)

Starring: Leonard Cohen, Bono, and the Edge

Directed by: Lian Lunson

What it’s about: Lunson’s doc about the singer-songwriter, featuring a pretty candid interview with the inexplicable ladies’ man, uses a tribute show at the Sydney Concert Hall in 2005 to tell Cohen’s beguiling journey from Montreal to a monastery on Mount Baldy.

Why you should see it: Because Lunson mingles footage of Cohen talking with scenes of his acolytes singing his famous-blue-raincoat songs.

Why you should not: See above; the performances are as mediocre as Cohen is magnetic.

Pulse (Weinstein Company)

Starring: Kristen Bell, Ian Somerhalder (Lost), and Christina Milian

Directed by: First-timer Jim Sonzero

Written by: Stephen Susco, with Wes Craven (Nightmare on Elm Street), Tim Day, Vince Gilligan, and Ray Wright, based on the film by Kiyoshi Kurosawa

What it’s about: A remake of the J-horror flick Kairo: When the souls of dead kids start popping up on her server, Kristen Bell needs to seriously think about getting a firewall.

Why you should see it: Bell is fantastic as a teenage private eye on Veronica Mars, so she should be up for teen ghostbuster too.

Why you should not: If Hollywood is good at anything, it’s taking a subtle, moody piece of art (like Kairo) and turning it into one long, steaming, bespangled turd.

You, Me and Dupree (Universal)

Starring: Matt Dillon, Owen Wilson, Kate Hudson, and Michael Douglas

Directed by: Anthony and Joe Russo (Welcome to Collinwood)

Written by: Mike LeSieur

What it’s about: Wilson’s the best man in Dillon and Hudson’s wedding, and when he loses his job after traveling to Hawaii for the wedding, they let him stay in their house.

Why you should see it: The Russos have estimable TV credits, including stints on Arrested Development and FX’s woefully unappreciated Lucky.

Why you should not: There hasn’t been a lovable Owen Wilson movie since … since … Bottle Rocket? That can’t be right.

July 21

Clerks II (MGM)

Starring: Brian O’Halloran, Jeff Anderson, and Rosario Dawson

Written and directed by: Kevin Smith (Clerks)

What it’s about: Dante (O’Halloran) and Randal (Anderson) are still slacking away their lives, except their twenties have turned into their thirties, and both work at fast-food joint Mooby’s. In other words, this is what Kevin Smith does when his attempt at maturity (Jersey Girl) tanks, and he’s left going back to the well. Again. And again.

Why you should see it: Because it’s just like Clerks. With a Jason Lee cameo.

Why you should not: It really is just like Clerks.

Lady in the Water (Warner Bros.)

Starring: Paul Giamatti (Sideways, Cinderella Man), Bryce Dallas Howard (Manderlay), and Freddy Rodriguez

Written and directed by: M. Night Shyamalan (The Sixth Sense, The Village)

What it’s about: A lonely apartment building superintendent (Giamatti) discovers a beautiful woman (Howard) in the building’s swimming pool, who turns out to be a mermaid. And there are other supernatural creatures after her …

Why you should see it: Advance word says there’s no gratuitous twist ending this time. Shyamalan’s a good director when he doesn’t paint himself into a corner; even The Village had its moments until that terrible “surprise” finish.

Why you should not: This film’s been labeled a “bedtime story.” What does that even mean?

Monster House (Sony)

Starring: Steve Buscemi, Maggie Gyllenhaal, Jason Lee, and Nick Cannon

Directed by: First-timer Gil Kenan

Written by: Pamela Pettler, Dan Harmon, and Ron Schrab

What it’s about: Sounds like The ‘Burbs meets Poltergeist: Three kids live next door to a creepy house that turns out to be … duh-duh-dunh … a monster.

Why you should see it: Uh … uh … it’s animated?

Why you should not: Have you seen the trailer? Was it made in 1992?

July 21

Super Ex-Girlfriend (Fox)

Starring: Uma Thurman, Luke Wilson, and Anna Faris

Directed by: Ivan Reitman (Old School)

Written by: Don Payne (The Simpsons)

What it’s about: Wilson plays a normal dude who dumps the super-needy superhottie G-Girl (Thurman), who proves hell hath no fury like a superwoman scorned. In other words, what if Lois Lane broke up with Superman, and he didn’t take it well? At all?

Why you should see it: Ivan Reitman directed Ghostbusters, Stripes, and Meatballs.

Why you should not: Ivan Reitman directed Six Days Seven Nights, Father’s Day, and Evolution.

The US vs. John Lennon (Lions Gate)

Starring: John Lennon and Yoko Ono

Written and directed by: David Leaf and John Scheinfeld

What it’s about: Focusing on the years when Lennon turned from musical genius to long-haired hippie, this documentary traces the efforts of the American government to silence — or at least keep away — the famous peacenik. Will the film take a few jabs at the current tightasses in charge? Does patchouli stink?

Why you should see it: This is interesting stuff, and there have to be some laughs to be had at the expense of the supersquare feds who wasted time going after a musician.

Why you should not: Three words: Hippie self-righteousness. (Two more? Yoko Ono.)

July 28

Barnyard (Paramount)

Starring: Kevin James, Courteney Cox Arquette, and Danny Glover

Directed and directed by: Steve Oedekerk (Kung Pow: Enter the Fist)

What it’s about: The owner of a farm leaves his animals to go udderly (that’s all mine, baby) nuts when he leaves the place under their control.

Why you should not: You have to assume nobody saw this the first time, when it was called Home on the Range.

Why you should not: The only people who haven’t tired of talking-animal animated movies haven’t been born yet.

I Could Never Be Your Woman (MGM)

Starring: Michelle Pfeiffer, Paul Rudd (The Forty-Year-Old Virgin), and Tracey Ullmann (I Love You to Death)

Written and directed by: Amy Heckerling (Fast Times at Ridgemont High, Clueless)

What it’s about: Pfeiffer plays a lady growing long in the tooth (but still looking like Michelle Pfeiffer) who falls for a younger man (Rudd). Romantic Comedy blooms all around, and Ullmann as Mother Nature gets all up in everybody’s business.

Why you should see it: When Heckerling is on, she makes movies like Clueless and Fast Times at Ridgemont High. Plus, Rudd is due for a role that pushes him into the big leagues, where he belongs.

Why you should not: When she’s not on, Heckerling makes movies like A Night at the Roxbury, Look Who’s Talking Too, and European Vacation.

Flicka (Fox)

Starring: Alison Lohman (Big Fish), Tim McGraw (Friday Night Lights), and Maria Bello (The Sisters)

Directed by: Michael Mayer (A Home at the End of the World)

Written by: Mark Rosenthal and Lawrence Konner, based on the novel by Mary O’Hara

What it’s about: A young girl tames a wild horse in a heartbreaking attempt to win her father’s love.

Why you should see it: Girls, horses, summer, love, magic.

Why you should not: If Mayer’s treatment of Flicka is anything like his Home at the End of the World, we’re in for a sapfest of personal triumph set to music.

John Tucker Must Die (Fox)

Starring: Jesse Metcalfe (Desperate Housewives), Brittany Snow (The Pacifier), and Ashanti (Buffy the Vampire Slayer)

Directed by: Betty Thomas (The Brady Bunch Movie)

Written by: Jeff Lowell

What it’s about: When a trio of hotties discover they’re dating the same cad (Metcalfe), they plot to bring about his ruination (but not, despite the title, his demise).

Why you should see it: By July 28, the effects of global warming will have cooked our brains into pink paste. Perfect time for teen comedy.

Why you should not: As this is the 9,432rd movie to try and convince us that an obvious beauty is a plain Jane for the first thirty minutes, the idea could be losing a spot of freshness.

Miami Vice (Universal)

Starring: Colin Farrell, Jamie Foxx, and Gong Li

Written and directed by: Michael Mann (Ali, The Insider)

What it’s about: Gee, lessee. Crockett and Tubbs. Drug dealers. Speed boats. Guns. Flashy suits. Bad accents. Expensive cars. Hot chicks. That about covers it.

Why you should see it: See above.

Why you should not: See above. And no Jan Hammer theme song. Rip. Off.

August 4

Brothers of the Head (IFC)

Starring: Harry and Luke Treadaway, Will Kemp, and Ken Russell

Directed by: Keith Fulton and Louis Pepe (Lost in La Mancha)

Written by: Tony Grisoni (In This World), based on the novel by Brian Aldiss

What it’s about: Conjoined twins (Harry and Luke Treadaway) under the control of an unscrupulous music promoter become a rock ‘n’ roll success story in the ’70s. Loosely based on a true story.

Why you should see it: The directors and screenwriter have worked with Terry Gilliam a fair amount, so one might imagine they’ve picked up a thing or two.

Why you should not: Fulton and Pepe are documentarians, and this is their first narrative feature. The transition doesn’t always work (remember Michael Moore’s Canadian Bacon?).

The House of Sand (Sony Classics)

Starring: Fernanda Montenegro, Fernanda Torres, and Ruy Guerra

Directed by: Andrucha Waddington (Me, You, Them)

Written by: Elena Soárez

What it’s about: An early-20th-century Brazilian saga about an unhappy woman, a delirious husband, and a barren landscape that proves difficult to escape.

Why you should see it: Waddington’s got props back in Brazil.

Why you should not: 59 years on a dune = um pouco louco.

Little Miss Sunshine (Fox Searchlight)

Starring: Toni Collette, Greg Kinnear, Steve Carell, and Alan Arkin

Directed by: First-timers Jonathan Dayton and Valerie Faris

Written by: Michael Arndt

What it’s about: Kinnear is a scowling motivational speaker waiting for a book deal; Collette is his patient wife who wants to drive the family VW from Albuquerque to Los Angeles so their daughter (Abigail Breslin) can compete in what turns out to be the creepiest talent contest ever. Also in the van are suicidal uncle Carell, smack-happy Arkin, and Paul Dano as the sullenest teen ever.

Why you should see it: It was a knockout hit at Sundance, where this National Lampoon’s Vacation-with-a-darker-side sold for $10.5 million.

Why you should not: Dunno, unless you hate hearing Alan Arkin curse. A lot.

The Ant Bully (Warner Bros.)

Starring: The voices of Zach Tyler, Julia Roberts, Paul Giamatti, and Nicolas Cage

Written and directed by: John A. Davis (Jimmy Neutron: Boy Genius), based on the novel by John Nickel

What it’s about: When a little boy (Tyler) takes out his frustrations on the ant hills in his yard, the bugs fight back.

Why you should see it: If you ignore the creepy undertones (to ants, a stomping kid isn’t a bully, he’s Osama bin Laden), the story’s got promise; Cage and Giamatti are A-list voice talent.

Why you should not: Boy, that creepy undertone seems hard to ignore. If all ants have souls and celebrity voices, that means this kid really is a mass murderer.

Fearless (Focus)

Starring: Jet Li, Nakamura Shidou, and Betty Sun

Directed by: Ronny Yu (Freddy vs. Jason)

Written by: There doesn’t seem to be a credited screenwriter. But Yuen Woo-ping is the fight choreographer, which is what matters most

What it’s about: Jet Li kicks some ass. Then a tragedy happens, and he doesn’t want to kick any further ass, so he goes into seclusion, where he learns the true way of the warrior. The claim is that this will be Li’s last martial-arts epic.

Why you should see it: Sigh. If you know your Hong Kong films, you’d have no doubt that Jet Li and Ronny Yu and Yuen Woo-ping teaming up can only be awesome.

Why you should not: Steer clear if action isn’t your thing.

Talladega Nights: The Ballad of Ricky Bobby (Sony)

Starring: Will Ferrell, John C. Reilly, and Sacha Baron Cohen

Directed by: Adam McKay (Anchorman: The Legend of Ron Burgundy)

Written by: Will Ferrell and Adam McKay

What it’s about: NASCAR champeen Ricky Bobby (Ferrell) finds his title being usurped by a French rival played by Ali G., a’ight?

Why you should see it: Anchorman had some brilliant moments.

Why you should not: Anchorman had some brilliant moments only if you were really, really high.

August 11

Quinceañera (Sony Classics)

Starring: Emily Rios, Chalo Gonzalez, and Jesse Garcia

Written and directed by: Richard Glatzer and Wash Westmoreland

What it’s about: On the verge of her fifteenth birthday, pregnant Magdalena is thrown out of her house and moves in with her great-great uncle and gay cousin, but she may lose even this makeshift family to urban gentrification.

Why you should see it: Love the Latina mama-drama.

Why you should not: Wacky outsiders overcome forces of oppression!

The Bridesmaid (First Run)

Starring: Benoît Magimel (The Piano Teacher) and Laura Smet (Gilles’ Wife)

Directed by: Claude Chabrol (The Flower of Evil)

Written by: Chabrol and Pierre Leccia, based on the novel by Ruth Rendell

What it’s about: A hardworking, straight-arrow salesman (Magimel) falls in love with his sister’s free-spirited bridesmaid (Smet), who turns out to be quite frighteningly insane.

Why you should see it: It sounds like Wedding Crashers, but scarier.

Why you should not: Fans of Bill O’Reilly may still want to boycott French things.

Accepted (Universal)

Starring: Justin Long (Dodgeball: A True Underdog Story), Adam Herschman, and Jonah Hill

Directed by: First-timer Steve Pink

Written by: Bill Collage, Adam Cooper, and Mark Perez

What it’s about: A slack senior (Long) finds out that he’s failed to get into college. So, of course, he and his similarly unmotivated pals fool their parents by inventing their own fraud of a university, which suddenly becomes crowded with similar rejects. Hey, it couldn’t be any more worthless than your liberal arts degree, right?

Why you should see it: If a fake frat was funny (as it was in Old School), an entire fake university has to be a knee-slapper, right?

Why you should not: Of course not. Old School was only funny because it had Will Ferrell and Vince Vaughn in it. No similar heavyweights present here.

Step Up (Buena Vista)

Starring: Channing Tatum (Coach Carter), Rachel Griffiths, and Heavy D

Directed by: Anne Fletcher

Written by: Duane Adler and Melissa Rosenberg

What it’s about: Tatum plays a streetwise punk (is there any other kind?) who trashes a performing arts school and is sentenced to community service. He comes to find it ain’t dat bad a joint, once a hot dancer at the school wiggles his broom just a little.

Why you should see it: Rachel Griffiths and Heavy D in the same movie! I only dared to dream …

Why you should not: Because it has to be awful.

World Trade Center (Paramount)

Starring: Nicolas Cage, Michael Peña, and Maggie Gyllenhaal

Directed by: Oliver Stone (J.F.K., The Doors)

Written by: Andrea Berloff

What it’s about: Cage and Peña play real-life Port Authority cops who made it out of the World Trade Center alive after the terror attacks of September 11, 2001. Word is this isn’t the work of a paranoid Ollie Stone, but a sober, down-to-the-details docudramatization of the events of the day, already seen this year in United 93.

Why you should see it: Cage is at his best when playing an Everyman stuck in a horrific, real-life situation (his portrayal of an EMT in Martin Scorsese’s Bringing Out the Dead remains among his career highlights, even if no one saw it).

Why you should not: Oliver Stone is a real hit-or-miss moviemaker; pray this is closer to Platoon and Salvador than Alexander or Any Given Sunday. Or Natural Born Killers. Or U-Turn. Or Nixon.

Zoom (Sony)

Starring: Tim Allen, Courteney Cox Arquette, and Chevy Chase

Directed by: Peter Hewitt (Garfield)

Written by: David Berenbaum (Elf)

What it’s about: Remember that Disney movie Sky High, about a retired superhero and the superschool his kids attend? This is pretty much the same thing, but with a bigger budget. And it’s based on an actual comic book, Zoom’s Academy for the Super-Gifted.

Why you should see it: Sky High was fun …

Why you should not: … but do we need another version? Tim Allen instead of Kurt Russell isn’t exactly what you’d call trading up.

August 18

The Night Listener (Miramax)

Starring: Robin Williams, Toni Collette, and Rory Culkin

Directed by: Patrick Stettner (The Business of Strangers)

Written by: Armistead Maupin & Terry Anderson (The Young Graduates) and Stettner, based on the novel by Maupin

What it’s about: Williams plays a Garrison Keillor-like public-radio host who tells embellished stories of his life and friends, but when he receives the manuscript of a memoir from an abused child (Culkin), he doesn’t realize that it may be equally embellished.

Why you should see it: Stettner deftly dealt with similar issues of deceit in The Business of Strangers; Williams can certainly be as annoying as your typical talk-radio host.

Why you should not: When it comes to drama, Williams is either spot-on (One Hour Photo) or insufferably mawkish (What Dreams May Come). His character here is a gay man whose lover has battled AIDS, which may mean lots of hugging, tears, and Williams doing that grinning thing that’s supposed to make him look sad but really doesn’t.

Snakes on a Plane (New Line)

Starring: Samuel L. Jackson, some snakes, and a plane

Directed by: David R. Ellis (Final Destination 2)

Written by: John Heffernan and Sebastian Gutierrez (Gothika)

What it’s about: The title really says it all here. For full disclosure, it really should be Snakes on a Plane with a Bald-Headed Badass Black Guy Who Yells a Lot. Yes the snakes deserve to die, and he hopes they burn in hell.

Why you should see it: Pay attention. Snakes. Plane. Samuel L. Jackson. What’s not to love?

Why you should not: Sorry, there’s just no good excuse not to.

August 18 LIMITED (WIDE ON SEPT. 8)

Trust the Man (Fox Searchlight)

Starring: David Duchovny, Julianne Moore, Billy Crudup, and Maggie Gyllenhaal

Written and directed by: Bart Freundlich (The Myth of Fingerprints)

What it’s about: Four New Yorkers in various stages of relationships hash out the old issues (sex, friendship, marriage, adultery) as they struggle to make sense of modern love. With jokes!

Why you should see it: The foursome of Duchovny, Moore, Crudup, and Gyllenhaal have more than their fair share of talent (and vowels). And it looks like it doesn’t take itself too seriously, which is instant death in these kinds of movies.

Why you should not: Are you really concerned about the problems of rich, white, wealthy, beautiful, and well-apartmented Manhattanites?

August 25

Factotum (Picturehouse)

Starring: Matt Dillon, Lili Taylor (I Shot Andy Warhol ), and Marisa Tomei

Written and directed by: Bent Hamer, based on the novel by Charles Bukowski

What it’s about: Dillon plays Henry Chinaski (Bukowski’s alter ego) in this movie about drinking, writing, having sex, and drinking. In other words, Bukowski.

Why you should see it: Dillon hasn’t had a role this dark and juicy since Drugstore Cowboy, and the wonderful Lili Taylor just hasn’t had enough roles, period.

Why you should not: Aren’t we, as a people, dead tired of Bukowski yet? Mickey Rourke nailed it in 1987’s Barfly, and there hasn’t been anything new to say about talented but pathetic drunks ever since.

Lunacy (Zeitgeist)

Starring: Czech actors you’re very unlikely to have heard of.

Written and directed by: Jan Svankmajer (Little Otik)

What it’s about: Blending his trademark surrealism and stop-motion animation with live action, Svankmajer adapts two Edgar Allan Poe short stories and throws in some Marquis de Sade for good measure. Grave robbery, orgies, and a mad sanitarium feature prominently.

Why you should see it: Does it not sound fabulous?

Why you should not: All the fat goth girls in the audience will probably reek of cigarettes. And for a movie about a man-eating tree stump, Little Otik wasn’t as good as it should have been.

Beerfest (Warner Bros.)

Starring: Eric Christian Olsen (Not Another Teen Movie), Cameron Scher, and Blanchard Ryan (Open Water)

Directed by: Jay Chandrasekhar (The Dukes of Hazzard)

Written by: Jay Chandrasekhar and Kevin Heffernan (Club Dread)

What it’s about: Two wacky lugs travel to Germany to enter, compete in, and perhaps maybe even triumph in a series of beer chugs. Seriously, that’s it.

Why you should see it: It’s possible to smuggle beer into a movie theater, but you’re really better off with a pint of vodka to pour in a slushie.

Why you should not: Aside from the asinine concept, the label “from the director of The Dukes of Hazzard” packs the punch of a cigarette warning.

Crossover (Sony)

Starring: Anthony Mackie (She Hate Me), Wesley Jonathan (Roll Bounce), and Wayne Brady

Written and directed by: Preston A. Whitmore II (The Walking Dead)

What it’s about: A gifted basketball player (Jonathan) wants to use his sports scholarship to get into UCLA pre-med; meanwhile, his best friend (Mackie) wants to get his GED and settle a street score. When romance enters the picture for both men, things get more complicated.

Why you should see it: I got nothin’. Sounds pretty predictable really.

Why you should not: Mankind did not need more Wayne Brady.

DOA: Dead or Alive (Weinstein Company)

Starring: Jaime Pressly, Holly Valance, and Devon Aoki

Directed by: Corey Yuen (The Transporter, Hero)

Written by: J.F. Lawton (Pretty Woman) and Adam & Seth Gross (Devour), based on the videogame

What it’s about: Chicks in bikinis fight guys with swords. It’s modeled after a fighting game, and the movie doesn’t look like it added a ton of plot or anything, though the fanboys are already up in arms over the fact that the women aren’t fighting each other in the trailer.

Why you should see it: It could be as fun as the first Charlie’s Angels.

Why you should not: It could be as tedious as Charlie’s Angels: Full Throttle.

How to Eat Fried Worms(New Line)

Starring: Luke Benward (Because of Winn-Dixie) and Hallie Kate Eisenberg (The Goodbye Girl)

Written and directed by: Bob Dolman (The Banger Sisters), based on the novel by Thomas Rockwell

What it’s about: Fifth-grade kid goes head-to-head with the school bully by accepting a dare to eat ten worms in a single day.

Why you should see it: The classic children’s book brings hope and courage to a new generation of victimized youth. Who don’t read books.

Why you should not: How many classic-children’s-book adaptations can you name?

Idlewild (Universal)

Starring: André Benjamin (Four Brothers ), Antwan Patton (ATL), and Terrence Howard (Hustle & Flow)

Written and directed by: First-timer Brian Barber

What it’s about: Benjamin and Patton (the real-life duo of OutKast) play a couple of, um, ahead-of-their-times musicians in a 1930s southern juke joint. Elaborate musical numbers compete for airtime with gangster politics as big bad Howard comes to town to muscle in on the club.

Why you should see it: Musically, Benjamin and Patton are at the top of their game, the concept of injecting their tunes with the flavor of old-school jazz has major promise, and Benjamin has already shown he’s got screen skills.

Why you should not: Neither period black gangster films (Harlem Nights) nor musical gangster films (Bugsy Malone) tend to stand the test of time.

Invincible (Buena Vista)

Starring: Mark Wahlberg, Greg Kinnear, and Michael Rispoli

Directed by: Ericson Core (TV’s Family Law)

Written by: Brad Gann (Black Irish)

What it’s about: A down-on-his-luck Philadelphia Eagles fan (Wahlberg) decides to attend an open tryout for the team and gets to live out his dream of playing professional football. It’s from the producers of The Rookie, is the same basic idea, and is similarly based on true events.

Why you should see it: The Rookie was formulaic, but it worked, and even appealed to people who couldn’t care less about baseball.

Why you should not: Mark Wahlberg is no Dennis Quaid.

Material Girls (MGM)

Starring: Hilary Duff, Haylie Duff, and Anjelica Huston

Directed by: Martha Coolidge (The Prince & Me)

Written by: John Quaintance, Jessica O’Toole, and Amy Rardin

What it’s about: Duff and Duff play sisters — how about that? — who gots plenty of dough from their family’s cosmetics company. But when the family biz is bankrupted by scandal, will the Duffs ever learn how to cope with being poor?

Why you should see it: Coolidge directed Valley Girl

Why you should not: … four years before Hilary Duff was born.

AUGUST TBD

The Descent (Lions Gate)

Starring: Shauna MacDonald, Natalie Mendoza, and Alex Reid

Written and directed by: Neil Marshall (Dog Soldiers)

What it’s about: Six female spelunkers become trapped deep in the bowels of the earth, and wouldn’t you know it, this cave happens to be the home of flesh-eating creatures of the dark.

Why you should see it: It’s a tight concept with plenty of opportunities for cat scares and gore for the popcorn crowd.

Why you should not: Man can only take so many cat scares before it’s all a big wall of black and red noise.

September 1

Crank (Lions Gate)

Starring: Jason Statham, Amy Smart, and Efren Ramirez (Napoleon Dynamite)

Written and directed by: Mark Neveldine and Brian Taylor (visual effects artists on Biker Boyz)

What it’s about: A hit man (Statham) is injected with a new designer drug that will kill him if his adrenaline level drops too low, so in order to find the person responsible and not die, he must remain agitated and excited. That shouldn’t be too hard.

Why you should see it: Statham’s Transporter movies have been over-the-top junk-food pleasures. Plus, how can you vote against Pedro?

Why you should not: Someone please explain how the effects guys from Biker Boyz have earned the right to direct a major movie.

The Return Focus)

Starring: Sarah Michelle Gellar, Sam Shepard, and Peter O’Brien

Directed by: Asif Kapadia

Written by: Adam Sussman

What it’s about: Gellar plays a young woman whose life gets wacky when she begins to have nightmares about the 25-year-old murder of, yes, a young woman.

Why you should see it: Buffy doing what Buffy does best.

Why you should not: Die, Buffy, die!

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