Screenwriter James Schamus has always been polymorphous in his tastes. Raised in Los Angeles, he grew up watching scads of movies — everything from tent-pole blockbusters to the silent films that aired on public television — but also had literary pretensions. He went to Hollywood High School (a place he compares to "Times Square when Martin Scorsese was filming Taxi"), majored in English at UC Berkeley, and honed his managerial and production skills by putting on events for the Berkeley Poetry Review. Schamus earned his MA from Berkeley in 1987 and had no clear career aspirations. He loved film, he loved classical literature, and he was immersed in the literary theory scene of the '80s. He could have easily stayed in the Ivory Tower. Instead, Schamus moved to New York and took a job as a production assistant. Overnight, he transformed himself from a scholarly Berkeley Ph.D candidate to the guy who yells "cut" on a film set and picks up everyone's lunch.
It seemed like a weird career choice for someone on the academic track, and would have meant personal failure for anyone but Schamus, who is good at everything he does. Over the next two decades he would write and produce some of the best films of all time, including The Ice Storm, Brokeback Mountain, and Crouching Tiger, Hidden Dragon. He is now the CEO of Focus Features, the art-house arm of Universal Pictures. He divides his time between that and teaching at Columbia University.
What distinguishes Schamus from his peers, both in film and academia, is how well he's managed to straddle that line. Schamus was already well-immersed in the film world by the time he got his doctorate in 2003 ("I had to give a commencement address at Berkeley and it was too embarrassing to do that without a degree," he said), but he'd always been somewhat of a public intellectual. Right now he teaches two film classes with a rather theory-heavy approach. His fall 2008 graduate seminar, on the relationship of image to narrative, included works by Plato, Kant, and Alberti on its syllabus. But even in his ethereal academic realm, Schamus maintains a healthy sense of irony about applying theory to the real world. His forthcoming essay, "My Wife Is a Terrorist," talks about how he analyzed his wife's FBI file using homodiegetic narrative techniques (Schamus' wife runs the anti-war organization CODEPINK). "It was pages of blacked-out stuff," Schamus said. He had fun with the narrative portion.
On Monday, Mar. 16, Schamus will appear at UC Berkeley's Zellerbach Hall with his frequent collaborator, film director Ang Lee. The two will discuss their forthcoming film Taking Woodstock, which stars comedian Demetri Martin. 8 p.m., $16-$30. CalPerfs.berkeley.edu
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