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There are a lot of people still working hard to retain the good parts of Ex'pression. It's a shame the author didn't mention that or make any effort to talk to any staff or faculty still there.
I guess negativity is just more interesting.
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First thing- Ex'pression didn't lose their accreditation. I don't think they ever lost Cal Grant funding either, but they may have temporarily lost another type of funding several years ago. Do better research.
Second thing- Kind of a bottom-feedery comment, Matt. Pyramind doesn't offer degrees. While I'm sure it's a perfectly nice certificate program, it's still nearly $33,000 for a 1 year program that crams a bunch of information into a relatively small time period and doesn't give students a degree. It looks like a decent overview of a few audio-related topics, but doesn't offer the in-depth curriculum or option to enroll in multiple other degree programs that Ex'pression does. SAE could be considered a competitor, but even accounting for the turbulence of the last couple years, Pyramind isn't quite on the same level as Ex'pression. If there has been any issue with relations between the two schools it's because Ex'pression puts out well-rounded graduates with actual degrees.
Ex'pression is still here offering a good education. This is a one-sided article. I'd have more respect for the author if an attempt was made to get more than just the most negative, and in some cases inaccurate, information possible.
Disclaimer - I am part owner and Chief Academic Officer at Pyramind Training, an alternative Music Production School to Ex'pression College and SAE.
This article saddens me for both the students who now have to deal with the decline in their education due to internal changes but also the teachers, who've dedicated their time and talents to sharing our wonderful craft with the next generation.
I will refrain from commentary about either Ex'pression or SAE as competitors - we've never had anything but good relations with these Institutions and I will not disparage them during a time of change.
Having now seen 3 audio schools open and close in the Bay Area since 1999, I know the chaos that comes with schools changing hands (and in some cases, closing doors). If you're looking for advice as to what to do next - whether a student or instructor - feel free to reach out to me directly to discuss your options. That includes options that aren't Pyramind.
We're here to help, any way we can.
CAO/ COO Pyramind Training
Does anyone know if students are eligible for a loan cancelation or discharge or refund on he basis of the school losing its accreditation and not letting the students know?
It's funny seeing the contrast between the lofty, high-minded tone of the review, and the mind-numbingly basic content of the songs linked.
Tell me again about how you used to sell drugs, how you're totally badass and successful now, and what the bitches in the club be like. Definitely haven't heard that song before!
I have kept a file on my grandson, Dayna Stephens since he started playing music. I have been going thru my file and found the wonderful article you wrote. I wanted to let you know that Dayna who is now living in New Jersey is being scheduled for a kidney transplant in mid-Aug. His aunt who also grew up in the Bay Area will be his donor. These last few years have been difficult for Dayna who continues to travel when physically able. A fund has been set up to cover the costs for his aunt whose health coverage does not cover her medical costs and for him who will no longer be eligible for Medicare once he receives the new kidney. Thank you again for your article.
Another chapter in a very sad story.
This place is going to be missed. Where can I go after Dorsey's Locker closes for anything even close to the experience I get there?
Hello this is Zachary Watkins. I simply want to thank Sam Lefebvre for sharing our story and music with your readers! Big Up!
Some quick clarifications... Mom (Sara Waters) is also a powerful and esteemed artist, and Cornish College was a deep art school experience. I recently found a cassette recording of my first string quartet rehearsal from 2000 and immediately began balling.... I was 20 when taking my first Composition Seminar taught by Jarrad Powell. That semester Jarrad invited a string quartet to collaborate with our class. The main goal of the class was to compose for string quartet in collaboration with the Dance Departments Choreography Seminar student choreographers! I can be heard saying to the musicians "BPM is 120" and the score itself was xeroxed from a notation notepad that had so many eraser marks that it more resembled a carbon paper copy.... Any wayz! Dedicated and engaged artists teach at Cornish. However, being involved in academic music programs for 15 years plus, I notice an uncomfortable aesthetic hierarchy favoring classical music over other traditions and improvisation is still underrepresented as a powerful expressive approach. The Mills and Cornish music programs attempt to tackle some of these concerns head on by hiring innovators, programming radical works and by accepting critters like me into their programs... We also need more diversity in the student body and professorships.
Black Spirituals will play Sat, July 25 at San Francisco's Center For New Music, 55 Taylor, 8pm
These are my bros my day one's one day I will be back up there with you making it rain on big booty killing the stage congratulations on the come up keep doing what you doing yo give me inspiration more and more everyday just knowing that you're my bro hey is good to see that is yall are making something out of what we started so long ago ant envasion Academy a.k.a urban renaissance GOP is all I know now all because of them long nights on Vallejo Street at Sucker Free studio hella gone off Bacardi;bo soda and hella bo blunt's and posting up with og Steve a big rob SB AND MAN And to the rest of the squad G.O G.O Yours truly CaDi
What a well written and insightful piece. It's so hard! The pull between a good gig and a gig that allows you to pay rent. I suppose it's having a balance so that you can be an artist and play amazing muisc, but also SURIVIVE. That's if the gigs are out there at all that is, regardless of whether they're artisitically credible ones.. This blog is also quite illuminating - thought I'd link it for you guys. http://www.functioncentral.co.uk/blog/2015/05/how_to_make_living_playing_jazz/
Great article. This old timer wants to help!
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